“The space craft is operated by IS-BEs who use “doll bodies” in much the same way that an actor wears a mask and costume. It is a like a mechanical tool through which to operate in the physical world. She, as well as all of the other IS-BEs of the officer class and their superiors, inhabit these “doll bodies” when they are on duty in space. When they are not on duty, they “leave” the body and operate, think, communicate, travel, and exist without the use of a body.
The bodies are constructed of synthetic materials, including a very sensitive electrical nervous system, to which each IS-BE adjusts themselves or “tune in” to an electronic wavelength that is matched uniquely to the wavelength or frequency emitted by each IS-BE. Each IS-BE is capable of creating a unique wave frequency which identifies them, much like a radio signal frequency. This serves, in part, as identification like a finger print. The doll body acts like a radio receiver for the IS-BE. No two frequencies or doll bodies are exactly the same.
The bodies of each IS-BE crew member are likewise tuned into and connected to the “nervous system” built into the space craft. The space craft is built in much the same way as the doll body. It is adjusted specifically to the frequency of each IS-BE crew member. Therefore, the craft can be operated by the “thoughts” or energy emitted by the IS-BE. It is really a very simple, direct control system. So, there are no complicated controls or navigation equipment on board the space craft. They operate as an extension of the IS-BE.”
— Excerpted from the Top Secret transcripts published in the book, Alien Interview
Originally posted 2010-12-27 15:42:31. Republished by Blog Post Promoter
“Hereinafter is an overview and summary of my personal recollections of “conversations” with the alien craft pilot, whom I came to know by the identity of “Airl”.
I feel that it is my duty at this time, in the best interest of the citizens of Earth, to reveal what I have learned from my interaction with “Airl” during those six weeks, on the anniversary of her “death” or departure sixty years ago.
Although I served as a nurse in the Army Air Force, I am not a pilot or technician. Further, I did not have any direct contact with the space craft or other materials recovered from the crash site at that time, or thereafter. To that degree it must be taken into consideration that my understanding of the communications I had with ” Airl” are based on my own subjective ability to interpret the meaning of the thoughts and mental images I was able to perceive.
Our communication did not consist of “spoken language”, in the conventional sense. Indeed, the “body” of the alien had no “mouth” through which to speak. Our communication was by telepathy. At first, I could not understand Airl very clearly. I could perceive images, emotions and impressions, but it was difficult for me to express these verbally. Once Airl learned the English language, she was able to focus her thoughts more precisely using symbols and meanings of words I could understand. Learning the English language was done as a favor to me. It was more for my own benefit than hers.
By the end of our interview sessions, and increasingly since then, I have become more comfortable with telepathic communication. I have become more adept at understanding Airl’s thoughts as though they are my own. Somehow, her thoughts become my thoughts. Her emotions are my emotions. However, this is limited by her willingness and intention to share her own, personal universe with me. She is able to be selective about what communication I am allowed to receive from her. Likewise, her experience, training, education, relationships and purposes are uniquely her own.
The Domain is a race or civilization of which Airl, the alien I interviewed, is an officer, pilot and engineer serving in The Domain Expeditionary Force. The symbol represents the origin and unlimited boundary of the known universe, united and integrated into a vast civilization under the control of The Domain.
Airl is currently stationed at a base in the asteroid belt which she refers to as a “space station” in the solar system of Earth. First and foremost, Airl is herself. Secondarily, she voluntarily serves as an Officer, Pilot and Engineer in The Domain Expeditionary Force. In that capacity she has duties and responsibilities, but she is at leave to come and go as she pleases also.
Please accept this material and make it known to as many people as possible. I repeat that it is not my intention to endanger your life with the possession of this material, nor do I really expect you to believe any of it either. However, I do sense that you can appreciate the value that such knowledge may have to those who are willing and able to face the reality of it.
Mankind needs to know the answers to questions which are contained in these documents. Who are we? Where did we come from? What is our purpose on Earth? Is Mankind alone in the universe? If there is intelligent life elsewhere why have they not contacted us?
It is vital that people understand the devastating consequences to our spiritual and physical survival if we fail to take effective action to undo the long-standing and pervasive effects of alien intervention on Earth.
Perhaps the information in these documents will serve as a stepping stone to a better future for Mankind. I hope that you can be more clever, creative and courageous in the distribution of this information than I have been.
May The Gods Bless You and Keep You.
Mrs. Matilda O’Donnell MacElroy, Senior Master Sergeant, Women’s Army Air Force Medical Corp, Retired”
— Excerpt from a letter from Nurse MacElroy, received together with the Top Secret military transcripts published in the book ALIEN INTERVIEW.
Originally posted 2012-01-02 14:14:05. Republished by Blog Post Promoter
“The space craft is operated by IS-BEs who use “doll bodies” in much the same way that an actor wears a mask and costume. It is a like a mechanical tool through which to operate in the physical world. She, as well as all of the other IS-BEs of the officer class and their superiors, inhabit these “doll bodies” when they are on duty in space. When they are not on duty, they “leave” the body and operate, think, communicate, travel, and exist without the use of a body.
The bodies are constructed of synthetic materials, including a very sensitive electrical nervous system, to which each IS-BE adjusts themselves or “tune in” to an electronic wavelength [i] (Footnote) that is matched uniquely to the wavelength or frequency emitted by each IS-BE. Each IS-BE is capable of creating a unique wave frequency which identifies them, much like a radio signal frequency. This serves, in part, as identification like a finger print. The doll body acts like a radio receiver for the IS-BE. No two frequencies or doll bodies are exactly the same.
The bodies of each IS-BE crew member are likewise tuned into and connected to the “nervous system” built into the space craft. The space craft is built in much the same way as the doll body. It is adjusted specifically to the frequency of each IS-BE crew member. Therefore, the craft can be operated by the “thoughts” or energy emitted by the IS-BE. It is really a very simple, direct control system. So, there are no complicated controls or navigation equipment on board the space craft. They operate as an extension of the IS-BE.
When the lightning bolt struck the space craft this caused a short circuit and consequently “disconnected” them from the control of the ship momentarily which resulted in the crash.
Airl was, and still is, an officer, pilot and engineer in an expeditionary force which is part of a space opera [ii] (Footnote)civilization which refers to itself as “The Domain”. This civilization controls a vast number of galaxies, stars, planets, moons and asteroids throughout an area of space that is approximately one-fourth of the entire physical universe! The continuing mission of her organization is to “Secure, control and expand the territory and resources of The Domain”.”
— Excerpt from the Top Secret transcripts published in the book ALIEN INTERVIEW
“In physics, wavelength is the distance between repeating units of a propagating wave of a given frequency. It is commonly designated by the Greek letter lambda (λ). Examples of wave-like phenomena are light, water waves, and sound waves. In a wave, a property varies with the position. For example, this property can be the air pressure for a sound wave, or the magnitude of the electric or the magnetic field for light. The wavelengths of frequencies audible to the human ear (20 Hz–20 kHz) are between approximately 17 m and 17 mm, respectively. Visible light ranges from deep red, roughly 700 nm to violet, roughly 400 nm (430–750 THz). For other examples, see electromagnetic spectrum.”
“It was not until the 1920s that the space opera proper appeared in the pulp magazines Weird Tales and Amazing Stories. Unlike earlier stories of space adventure, which either related the invasion of Earth by extraterrestrials, or concentrated on the invention of a space vehicle by a genius inventor, pure space opera simply took space travel for granted (usually by setting the story in the far future), skipped the preliminaries, and launched straight into tales of derring-do among the stars.
The first stories of this type were J. Schlossel’s The Second Swarm (Spring 1928) in Amazing Stories Quarterly and Edmond Hamilton’s Crashing Suns (August-September 1928) and The Star Stealers (February 1929) in Weird Tales . Similar stories by other writers followed through 1929 and 1930; by 1931 the space opera was well-established as a dominant sub-genre of science fiction.
The transition from the older space-voyage story to the space opera can be seen in the works of E. E. “Doc” Smith. His first published work, The Skylark of Space (August-October 1928, Amazing Stories), merges the traditional tale of a scientist inventing a space-drive with planetary romance in the style of Edgar Rice Burroughs; but by the time of the sequel, Skylark Three (August-October 1930, Amazing Stories) which introduces the space faring race of the Fenachrone, Smith had moved closer to a space opera mode.
Space opera in its most familiar form was a product of 1930s-40s pulp magazines. Like early science fiction in general, space opera borrowed much of its style from established adventure, crime, and thriller genres. Notable influences included stories that described adventures on exotic or uncivilized frontiers, e.g. the American West, Africa, or the Orient. The imagined future of space opera included immense space liners, intrepid explorers of unknown worlds, pirates of the space ways, and tough but incorruptible space police.
E. E. “Doc” Smith’s later Lensman Series and the works of Edmond Hamilton, John W. Campbell, and Jack Williamson in the 1930s and 1940s were popular with readers and much imitated by other writers. By the early 1940s, the repetitiousness and extravagance of some of these stories led to objections from some fans.”
— Reference: Wikipedia.org
Originally posted 2012-05-09 23:58:56. Republished by Blog Post Promoter
Nurse reveals Top Secret transcripts from Roswell, 1947
“The space craft is operated by IS-BEs who use “doll bodies” in much the same way that an actor wears a mask and costume. It is a like a mechanical tool through which to operate in the physical world. She, as well as all of the other IS-BEs of the officer class and their superiors, inhabit these “doll bodies” when they are on duty in space. When they are not on duty, they “leave” the body and operate, think, communicate, travel, and exist without the use of a body.
