Category Archives: “The Domain”

"Old Empire", "The Domain", Domain Expeditionary Force, faravahar, monotheism, Old Empire gods, Persia, Winged-Disc

AHURA MAZDA: DOMAIN SEARCH PARTY AERIAL UNIT

Leave a comment

https://2.bp.blogspot.com/-tl6kxlptAgA/T-jb14VEorI/AAAAAAAAAYY/xUkRy9zcSQ0/s1600/Collage.jpg

“630 BCE – Zoroaster created religious practices in Persia around an IS-BE called Ahura Mazda.  This was yet another of the growing number of “monotheistic” gods put in place by operatives of The Domain to displace a  panoply of “Old Empire” gods.

Members of the aerial unit of The Domain Search Party, led by Ahura Mazda, were often called  ”winged gods” in human interpretations. Throughout the Persian civilization there are a great many stone relief carvings that depict winged space craft, that they called a “faravahar”.

– Excerpt from the Top Secret transcripts published in the book ALIEN INTERVIEW, Edited by Lawrence R. Spencer

FOOTNOTES:

[i] “… faravahar…”

“The faravahar or farohar (transliteration varies) is one of the best-known symbols of Zoroastrianism.

The winged disc has a long history in the art and culture of the ancient Near and Middle East. Historically, the symbol is influenced by the “winged sun” hieroglyph appearing on Bronze Age royal seals. While the symbol is currently thought to represent a Fravashi (c. a guardian angel) and from which it derives its name, what it represented in the minds of those who adapted it from earlier Mesopotamian and Egyptian reliefs is unclear. Because the symbol first appears on royal inscriptions, it is also thought to represent the ‘Divine Royal Glory’ (khvarenah), or the Fravashi of the king, or represented the divine mandate that was the foundation of a king’s authority.

This relationship between the name of the symbol and the class of divine entities reflects the current belief that the symbol represents a Fravashi. However, there is no physical description of the Fravashis in the Avesta and in Avestan the entities are grammaticallyfeminine.

Prior to the reign of Darius I, the symbol did not have a human form above the wings. In present-day Zoroastrianism, the faravahar is said to be a reminder of one’s purpose in life, which is to live in such a way that the soul progresses towards frasho-kereti, or union with Ahura Mazda.”

– Reference:  Wikipedia.org

[ii] ” Zoroaster…”

“Zoroaster, the prophet and poet sees the universe as the cosmic struggle between aša “truth” and druj “lie.” The cardinal concept of aša – which is highly nuanced and only vaguely translatable – is at the foundation of all other Zoroastrian doctrine, including that of Ahura Mazda (who is aša), creation (that is aša), existence (that is aša) and Free Will, which is arguably Zoroaster’s greatest contribution to religious philosophy.  The purpose of humankind, like that of all other creation, is to sustain aša. For humankind, this occurs through active participation in life and the exercise of good thoughts, words and deeds.

The name Zoroaster was famous in classical antiquity, and a number of different Zoroasters – all described as having occult powers – appear in historiographic accounts.

In Pliny’s Natural History, Zoroaster is said to have laughed on the day of his birth. He lived in the wilderness and enjoyed exploring it from a young age. Plutarch compares him with Lycurgus and Numa Pompilius (Numa, 4). Plutarch, drawing partly on Theopompus, speaks of Zoroaster in Isis and Osiris: In this work, the prophet is empowered by trust in his God and the protection of his allies. He faces outward opposition and unbelief, and inward doubt.

The works of Zoroaster had a significant influence on Greek philosophy and Roman philosophy. The ancient Greek writer Eudoxus of Cnidus and the Latin writer Pliny the Elder praised Zoroaster’s philosophy as “the most famous and most useful.” Plato learnt of Zoroaster’s philosophy through Eudoxus and incorporated some of it into his own Platonic realism. In the third century BC, however, Colotes accused Plato’s The Republic of plagiarizing parts of (what is attributed to) Zoroaster’s On Nature, such as the Myth of Er. Plato’s contemporary, Heraclides Ponticus, wrote a text called Zoroaster based on Zoroaster’s philosophy in order to express his disagreement with Plato on natural philosophy.

Zoroaster was mentioned by the nineteenth-century poet William Butler Yeats. His wife and he were said to have claimed to have contacted Zoroaster through “automatic writing.”

The 2005 edition of the Oxford Dictionary of Philosophy places Zoroaster first in a chronology of philosophers.”

– Reference:  Wikipedia.org

[iii] “… an IS-BE called Ahura Mazda.”

“Ahura Mazda (Ahura Mazdā) is the Avestan language name for a divinity exalted by Zoroaster as the one uncreated Creator, hence God.  He is the nameless “Father Asura”, that is, Varuna of the Rigveda. In this view, Zoroastrian mazda is the equivalent of the Vedic medhira, described in Rigveda 8.6.10 as the “(revealed) insight into the cosmic order”.

Ahura Mazda is seen as the Ahura par excellence, superior to both *vouruna and *mitra, and the nameless “Father Asura” of the Rigveda and is a distinct divinity. The Zoroastrian faith is thus described by its adherents as Mazdayasna, the worship of Mazda. In the Avesta, “Ahura Mazda is the highest object of worship”.

– Reference:  Wikipedia.org

Originally posted 2012-04-16 22:53:17. Republished by Blog Post Promoter

Share
"Old Empire", "prison planet", "The Domain", Alien Observations, amnesia, artists, atomic weapons, bankers, Domain Expeditionary Force, history, humanity, humans, hypnotic commands, inmates, invasion forces, IS-BE, renaissance, revolutionaries, science, scientists, The Renaissance, traps

RENNAISSANCE

Leave a comment

The Renaissance

“Humankind has developed more technology in the past 100 years than in the previous 2,000 years.  Why?  The answer is simple:  the influence of the “Old Empire” over the mind and over the affairs of Mankind has been diminished by The Domain.

A renaissance [i] (Footnote) of invention on Earth began in 1,250 AD with the destruction of the “Old Empire” space fleet in the solar system.  During the next 500 years, Earth may have the potential to regain autonomy and independence, but only to the degree that humankind can apply the concentrated genius of the IS-BEs on Earth to solve the amnesia problem.

However, on a cautionary note, the inventive potential of the IS-BEs who have been exiled to this planet is severely compromised by the criminal elements of the Earth population.  Specifically, politicians, war-mongers and irresponsible physicists who create  unlimited weapons such as nuclear bombs, chemicals, diseases and social chaos.  These have the potential to extinguish all life forms on Earth, forever.

Even the relatively small explosions that were tested and used in the past two years on Earth have the potential to destroy all of life, if deployed in sufficient quantities. Larger weapons could consume all of the oxygen in the global atmosphere in a single explosion! [ii] (Footnote)

Therefore, the most fundamental problems that must be solved in order to ensure that Earth will not be destroyed by technology, are social and humanitarian problems.  The greatest scientific minds of Earth, in spite of mathematical or mechanical genius, have never addressed these problems. 

Therefore, do not look to scientists to save Earth or the future of humanity.  Any so-called “science” that is solely based on the paradigm [iii] (Footnote) that existence is composed only of energy and objects moving through space is not a science.  Such beings utterly ignore the creative spark originated by an individual IS-BE and collective work of the IS-BEs who continually create the physical universe and all universes.  Every science will remain relatively ineffective or destructive to the degree that it omits or devaluates the relative importance of the spiritual spark that ignites all of creation and life.”

– Excerpted from the Top Secret transcripts published in the book ALIEN INTERVIEW, edited by Lawrence R. Spencer

FOOTNOTES:

[i] “… Renaissance…”

The Renaissance (from French Renaissance, meaning “rebirth”; Italian: Rinascimento, from re- “again” and nascere “be born”) was a cultural movement that spanned roughly the 14th through the 17th century, beginning in Italy in the late Middle Ages and later spreading to the rest of western Europe. It encompassed a revival of learning based on classical sources, the development of linear perspective in painting, and educational reform. The Renaissance saw developments in most intellectual pursuits, but is perhaps best known for its artistic aspect and the contributions of such polymaths as Leonardo da Vinci and Michelangelo, who have inspired the term “Renaissance men”.

However,  it was not until the nineteenth century that the French word Renaissance achieved popularity in describing the cultural movement that began in the late 13th century“  (1200 AD – 1300 AD).

The term was first used retrospectively by the Italian artist and critic Giorgio Vasari (1511-1574) in his book The Lives of the Artists (published 1550). In the book Vasari was attempting to define what he described as a break with the barbarities of gothic art: the arts had fallen into decay with the collapse of the Roman Empire and only the Tuscan artists, beginning with Cimabue (1240-1301) and Giotto (1267-1337) began to reverse this decline in the arts. According to Vasari, antique art was central to the rebirth of Italian art.

During the 12th century in Europe, there was a radical change in the rate of new inventions and innovations in the ways of managing traditional means of production and economic growth. In less than a century, there were more inventions developed and applied usefully than in the previous thousand years of human history all over the globe. The period saw major technological advances, including the adoption or invention of printing, gunpowder, spectacles, a better clock, the astrolabe, and greatly improved ships. The latter two advances made possible the dawn of the Age of Exploration.

Alfred Crosby described some of this technological revolution in The Measure of Reality : Quantification in Western Europe, 1250-1600 and other major historians of technology have also noted it.

  • The earliest written record of a windmill is from Yorkshire, England, dated 1185.
  • Paper manufacture began in Italy around 1270.
  • The spinning wheel was brought to Europe (probably from India) in the 13th century.
  • The magnetic compass aided navigation, first reaching Europe some time in the late 12th century.
  • Eyeglasses were invented in Italy in the late 1280s.
  • The astrolabe returned to Europe via Islamic Spain.
  • Leonardo of Pisa introduces Hindu-Arabic numerals to Europe with his book Liber Abaci in 1202.
  • The West’s oldest known depiction of a stern-mounted rudder can be found on church carvings dating to around 1180.”

– Reference:  Wikipedia.org

[ii] “… explosions that were tested and used in the past two years on Earth have the potential to destroy all of life…”

“A doomsday device is a hypothetical construction — usually a weapon — which could destroy all life on the Earth, or destroy the Earth itself (bringing “doomsday”, a term used for the end of planet Earth).

Doomsday devices have been present in literature and art especially in the 20th century, when advances in science and technology allowed humans to imagine a definite and plausible way of actively destroying the world or all life on it (or at least human life). Many classics in the genre of science fiction take up the theme in this respect, especially The Purple Cloud (1901) by M. P. Shiel in which the accidental release of a gas kills all people on the planet.

After the advent of nuclear weapons, especially hydrogen bombs, they have usually been the dominant components of fictional doomsday devices. RAND strategist Herman Kahn proposed a “Doomsday Machine” in the 1950s which would consist of a computer linked to a stockpile of hydrogen bombs, programmed to detonate them all and bathe the planet in nuclear fallout at the signal of an impending nuclear attack from another nation. Such a scheme, fictional as it was, epitomized for many the extremes of the suicidal logic behind the strategy of mutually assured destruction, and it was famously parodied in the Stanley Kubrick film from 1964, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. It is also a main topic of the movie Beneath the Planet of the Apes, in parallel with the species extermination theme. Most such models either rely on the fact that hydrogen bombs can be made arbitrarily large (see Teller-Ulam design) or that they can be “salted” with materials designed to create long-lasting and hazardous fallout (e.g.; a cobalt bomb).

There are many unconfirmed, anecdotal reports of a Soviet doomsday device involving a 200-megaton hydrogen bomb sheathed in (or, alternately, “salted” with) a highly radioactive material, usually said to be cobalt, of sufficient quantity to saturate the earth’s atmosphere with deadly fallout should the device be detonated. Details regarding this device vary according to the source, but enough similarities in the dozens of different stories exist to suggest at least some basis in truth. According to various sources, at some point between 1967 and 1985, the device was designed but never constructed; built but never activated; built and activated, but dismantled at the end of the cold war; or designed and constructed in such a manner that it can never be de-activated, and is still in existence today. Tales of its location and means of operation are equally diverse: it was in an underground bunker west of Moscow, Siberia, the Ukraine, etc.; it was installed on a special rocket booster that would deliver it to the upper atmosphere upon activation; it was actually a series of bombs placed at intervals along the western border of the USSR; it was to be detonated upon command from the Kremlin, automatically by a special computer, a seismic trigger, or upon detection of incoming missiles. Many more versions exist, such as one with the device being permanently installed in the hold of an unmarked tramp freighter, steaming randomly from port to port in the North Sea.”

— Reference:  Wikipedia.org

[iii]  “… paradigm…”

“Historian of science Thomas Kuhn gave this word its contemporary meaning when he adopted it to refer to the set of practices that define a scientific discipline during a particular period of time. Kuhn himself came to prefer the terms exemplar and normal science, which have more exact philosophical meanings. However, in his book The Structure of Scientific Revolutions Kuhn defines a scientific paradigm as:

  • what is to be observed and scrutinized
  • the kind of questions that are supposed to be asked and probed for answers in relation to this subject
  • how these questions are to be structured
  • how the results of scientific investigations should be interpreted

Alternatively, the Oxford English Dictionary defines paradigm as “a pattern or model, an exemplar.”

— Reference:  Wikipedia.org

Originally posted 2013-04-02 23:16:57. Republished by Blog Post Promoter

Share
"Old Empire", "past lives", "prison planet", "The Domain", death, humanity, humans, immortality, inmates, IS-BE

LIFETIMES

Leave a comment

“You, and every IS-BE on Earth, have participated in the creation of this universe.  Even though you are now confined to a fragile body made of flesh; you live for only 65 short rotations of your planet around a star; you have been given overwhelming electric shock treatments to wipe out your memory; you must learn everything all over again each lifetime; in spite of all these circumstances, you are who you are and will always be.  And, deep down, you still know that your are and what you know.  You are still the essence of you.

How else can one understand the child prodigy?  An IS-BE who plays concertos on a piano at three years of age, without formal training?  Impossible, if they did not simply remember what they have already learned from thousands of lives spent in front of a keyboard in times untold, or on planets far away.  They may not know how they know.  They just know.

Humankind has developed more technology in the past 100 years than in the previous 2,000 years.  Why?”

_____________________
— Except from the Top Secret transcripts published in the book ALIEN INTERVIEW

 

Originally posted 2011-10-31 14:24:44. Republished by Blog Post Promoter

Share