FOOTNOTES:

[i] “…Cyrus II of Persia…”

Cyrus the Great (c. 590 BC or 576 — August 529 BC or 530 BC), also known as Cyrus II of Persia and Cyrus the Elder, was a Persian emperor. He was the founder of the Persian Empire under the Achaemenid dynasty. The empire expanded under his rule, eventually conquering most of Southwest Asia and much of Central Asia, from Egypt and the Hellespont in the west to the Indus River in the east, to create the largest state the world had yet seen.

During his twenty-nine year reign, Cyrus fought against some of the greatest states of his time, including the Median Empire, the Lydian Empire, and the Neo-Babylonian Empire. Cyrus did not venture into Egypt, as he himself died in battle, fighting the Massagetae along the Syr Darya in August 530 BC. He was succeeded by his son, Cambyses II, who managed to conquer Egypt during his short rule.

Beyond his nation, Cyrus left a lasting legacy on Jewish religion (through his Edict of Restoration), politics, and military strategy, as well as on both Eastern and Western civilization.

The only known example of his religious policy is his treatment of the Jews in Babylon. The Bible records that a remnant of the Jewish population returned to the Promised Land from Babylon, following an edict from Cyrus to rebuild the temple. This edict is fully reproduced in the Book of Ezra. As a result of Cyrus’ policies, the Jews honored him as a dignified and righteous king. He is the only Gentile to be designated as a messiah, a divinely-appointed king, in the Tanakh (Isaiah 45:1-6).

Some contemporary Muslim scholars have suggested that the Qur’anic figure of Dhul-Qarnayn is Cyrus the Great. This theory was proposed by Sunni scholar Abul Kalam Azad and endorsed by Shi’a scholars Allameh Tabatabaei, in his Tafsir al-Mizan and Makarem Shirazi and Sunni scholar Abul Ala Maududi.

During his reign, Cyrus maintained control over a vast region of conquered kingdoms, achieved partly through retaining and expanding Median satrapies. Cyrus’ conquests began a new era in the age of empire building, where a vast superstate, comprising many dozens of countries, races, religions, and languages, were ruled under a single administration headed by a central government.

In 1992, he was ranked #87 on Michael H. Hart‘s list of the most influential figures in history. On December 10, 2003, in her acceptance of the Nobel Peace Prize, Shirin Ebadi evoked Cyrus, saying:

“I am an Iranian, a descendant of Cyrus the Great. This emperor proclaimed at the pinnacle of power 2,500 years ago that he ‘would not reign over the people if they did not wish it.’ He promised not to force any person to change his religion and faith and guaranteed freedom for all. The Charter of Cyrus the Great should be studied in the history of human rights.”

Many of the forefathers of the United States of America sought inspiration from Cyrus the Great through works such as Cyropaedia. Thomas Jefferson, for example, had two personal copies of the book, “which was a mandatory read for statesmen alongside Machiavelli’s The Prince.”

In a recent segment of ABC’s Nightline with Ted Koppel, Ted Koppel mentioned Cyrus the Great, when he was talking about the new documentary film being made in his honor, and had this to say of him:

“Cyrus the Great is genuinely one of history’s towering figures. America’s own founders such as Thomas Jefferson were influenced by Cyrus the Great in the field of Human Rights.”

— Reference:  Wikipedia.org

[ii] “… unique system of organization used by Cyrus II…”

“During his reign, Cyrus maintained control over a vast region of conquered kingdoms, achieved partly through retaining and expanding Median satrapies. Further organization of newly conquered territories into provinces ruled by vassal kings called satraps, was continued by Cyrus’ successor Darius the Great. Cyrus’ empire demanded only tribute and conscripts from many parts of the realm.

Cyrus was distinguished equally as a statesman and as a soldier. By pursuing a policy of generosity instead of repression, and by favoring local religions, he was able to make his newly conquered subjects into enthusiastic supporters. Due in part to the political infrastructure he created, the Achaemenid empire endured long after his demise.

The rise of Persia under Cyrus’s rule had a profound impact on the course of world history. Persian philosophy, literature and religion all played dominant roles in world events for the next millennia. Despite the Islamic conquest of Persia in the 7th century CE by the Islamic Caliphate (Arab Empire), Persia continued to exercise enormous influence in the Middle East during the Islamic Golden Age.”

— Reference:  Wikipedia.org

[iii] “… tree of life….”

“Trees of life appear in folklore, culture and fiction, often relating to immortality. These often hold cultural and religious significance to the peoples for whom they appear.

The Sumerian (or Persian) Tree of Life was represented by a series of nodes and criss-crossing lines. It was an important religious symbol among these peoples, often attended to by Eagle Headed Gods & Priests, or the King himself.

• In Chinese      mythology a carving of a Tree of Life depicts a phoenix and a dragon –      in Chinese mythology the dragon often represents      immortality. There is also the Taoist story of a tree that produces a      peach every three thousand years. The one who eats the fruit receives      immortality.
• An archaeological discovery in the 1990s was      of a sacrificial pit at Sanxingdui in Sechuan, China. Dating from      about 1200 BCE, it contained 3 bronze trees, one of them 4 meters high. At the base was a dragon, and fruit      hanging from the lower branches. At the top is a strange bird-like      (phoenix) creature with claws. Also from Sechuan, from the late Han      dynasty (c 25 – 220 CE) is another tree of life. The ceramic base is guarded by a horned beast with wings. The leaves of the tree are      coins and people.
• In Egyptian mythology, in the Ennead system of      Heliopolis, the first couple, apart from Shu & Tefnut (moisture & dryness) and Geb & Nuit (earth & sky), are Isis      & Osiris. They were said to have emerged from the acacia tree of      Saosis, which the Egyptians      considered the tree of life,      referring to it as the “tree in which life and death are      enclosed”.
• The Egyptian’s Holy Sycamore also stood on the threshold of life      and death, connecting the two worlds.
• In Germanic      paganism, trees played a prominent role, appearing in various aspects      of surviving texts and possibly in      the name of gods.
• The tree of life      appears in Norse religion as Yggdrasil, the world tree, a massive tree      with extensive lore surrounding it. Perhaps related to the Yggdrasil,      accounts have survived of Germanic Tribes honouring sacred trees within      their societies.
• In Norse      Mythology it is the      golden apples from Iðunn’s tree that provides immortality for the gods.
• The Tree of Life is      mentioned in the Books of Genesis, in which it has the potential to grant      immortality to Adam and Eve. (However, it is not immediately obvious, nor is      it universally accepted, that the Book of Genesis account and the Book of Revelation account speak      of the same Tree of Life.)
• A Tree of Life, in      the form of ten interconnected nodes, is an important part of the Kabbalah. As      such, it resembles the ten Sephirot.
• The Tree of Life appears in the Book of Mormon      in a revelation to Lehi (see 1 Nephi 8:10-12). It is      symbolic of the love of God (see 1 Nephi 11:21-23), and sometimes understood as salvation and      post-mortal existence.
• Etz Chaim, Hebrew for “Tree of      Life”, is a common term used in Judaism. The expression, found in the      Book of Proverbs, is figuratively applied to the Torah itself.

• Among pre-Columbian Mesoamerican cultures, the      concept of “world trees” is a prevalent motif in Mesoamerican      mythical cosmologies and iconography. World trees embodied the four      cardinal directions, which represented also the fourfold nature of a central world tree, a symbolic axis mundi connecting the planes      of the Underworld and the sky with that of the terrestrial world.
• Depictions of world trees, both in their      directional and central aspects, are found      in the art and mythological traditions of cultures such as the Maya, Aztec,      Izapan,      Mixtec,      Olmec, and others, dating to at least the      Mid/Late Formative periods of Mesoamerican chronology.
• Directional world trees are also associated with the four Year bearers      in Mesoamerican calendars, and the directional colors and deities.
• World trees are frequently depicted with birds      in their branches, and their roots      extending into earth or water (sometimes      atop a “water-monster”, symbolic of the underworld).
• The central world tree has also been interpreted as a representation of the      band of the Milky Way. Fragment of a bronze helmet from Urartu, with      the “Tree of Life” depicted.

• In ancient Armrenia around 13th to 6th century BC, the Tree of Life was a religious symbol, drawn onto the exterior walls of fortresses and carved on the armour of      warriors. The branches of the tree were equally divided on the right and      left sides of the stem, with each branch having one leaf, and one leaf on      the apex of the tree. Servants (some winged) stood on each side of the      tree with one of their hands up as if they are taking care of it. This      tree can be found on numerous Urartu artifacts, such as paintings on the      walls of the Erebuni fortress in Yerevan, Armenia.

• The symbolism of the tree is mentioned in the 135th hymn of the      10th book of Rig-Veda, and in the 15th chapter of Bhagavad-gita (1-4).
• In the Japanese religion of Shinto, trees were marked with sacred paper      symbolizing lightning bolts, as      trees were thought to be sacred. This was propagated by the fact that      after they passed (died), ancestors and animals were often portrayed as      branches on the tree.
• The Book of One Thousand and One Nights has a story, ‘The Tale of Buluqiya’, in which the      hero searches for immortality and finds a paradise with jewel-encrusted      trees. Nearby is a Fountain of      Youth guarded by Al-Khidr. Unable      to defeat the guard, Buluqiya has to return empty-handed.
• The Epic of Gilgamesh is a similar      quest for immortality. In Mesopotamian mythology, Etana searches for a ‘plant of birth’ to provide him with a son.      This has a solid provenance of antiquity, being found in cylinder seals from Akkad (2390 – 2249 BCE).
• One of the earliest forms of ancient Greek      religion has its origins associated with tree cults.

In mystical traditions of world religions, sacred texts are read for metaphorical content concerning the relationship between states of mind and the external experience of reality. As such, the tree is a manifestation/causal symbol – the Tree of Life representing the coveted state of eternal aliveness or fulfillment, not immortality of the body or soul. In such a state, physical death (which cannot be overcome) is nevertheless a choice, and direct experience of the perfect goodness/divine reality/god is not only possible, but ever present.

Once the ego (surface consciousness) experiences shame, having been tempted to absorb or believe in duality (such as eating of the Tree of Knowledge of Good and Evil), we are protected from living eternally in that limiting, fallen, experience by the cherubim guarding the gate of return to paradise. The cherubim are symbolic of the perfect knowledge of self or true nature, with the power of purification and return to being.“

— Reference:  Wikipedia.org

[iv] “… the carvings show cone-shaped instruments, and electronic detection devices which are stylized as baskets or water buckets, being carried by eagle headed, winged beings….”

EDITOR’S NOTE: Excellent photographs of these can be viewed at the following website:

http://www.crystalinks.com/godswaterbuckets.html

[v] “… faravahar…”

“The faravahar or farohar (transliteration varies) is one of the best-known symbols of Zoroastrianism.

The winged disc has a long history in the art and culture of the ancient Near and Middle East. Historically, the symbol is influenced by the “winged sun” hieroglyph appearing on Bronze Age royal seals. While the symbol is currently thought to represent a Fravashi (c. a guardian angel) and from which it derives its name, what it represented in the minds of those who adapted it from earlier Mesopotamian and Egyptian reliefs is unclear. Because the symbol first appears on royal inscriptions, it is also thought to represent the ‘Divine Royal Glory’ (khvarenah), or the Fravashi of the king, or represented the divine mandate that was the foundation of a king’s authority.

This relationship between the name of the symbol and the class of divine entities reflects the current belief that the symbol represents a Fravashi. However, there is no physical description of the Fravashis in the Avesta and in Avestan the entities are grammatically feminine.

Prior to the reign of Darius I, the symbol did not have a human form above the wings. In present-day Zoroastrianism, the faravahar is said to be a reminder of one’s purpose in life, which is to live in such a way that the soul progresses towards frasho-kereti, or union with Ahura Mazda.”

— Reference:  Wikipedia.org

[vi] “…Oannes…”

“Oannes was the name given by the Babylonian writer Berossus in the 3rd century BC to a mythical being who taught mankind wisdom. Berossus describes Oannes as having the body of a fish but underneath the figure of a man. He is described as dwelling in the Persian Gulf, and rising out of the waters in the daytime and furnishing mankind instruction in writing, the arts and the various sciences.

Once thought to be based on the ancient Babylonian god Ea, it is now known that Oannes is in fact based on Uan (Adapa) – the first of the seven antediluvian sages or Abgallu (in Sumerian Ab=water, Gal=Great, Lu=man), who were sent by Ea to deliver the arts of civilization to mankind in ancient Sumerian mythology, at Eridu, the oldest city of Sumer.”

— Reference:  Wikipedia.org

[vii] “Some members of the lost Battalion have been found in the oceans inhabiting the bodies of dolphins or whales.”

Dolphins have long played a role in human culture. Dolphins are common in Greek mythology and there are many coins from the time which feature a man or boy riding on the back of a dolphin. The Ancient Greeks treated them with welcome; a ship spotting dolphins riding in their wake was considered a good omen for a smooth voyage. Dolphins also seem to have been important to the Minoans, judging by artistic evidence from the ruined palace at Knossos. In Hindu mythology, the Ganges River Dolphin is associated with Ganga, the deity of the Ganges river.

Dolphins are often regarded as one of Earth’s most intelligent animals, though it is hard to say just how intelligent dolphins are, as comparisons of species’ relative intelligence are complicated by differences in sensory apparatus, response modes, and nature of cognition. Furthermore, the difficulty and expense of doing experimental work with large aquatics means that some tests which could yield meaningful results still have not been carried out, or have been carried out with inadequate sample size and methodology. Dolphin behavior has been studied extensively by humans however, both in captivity and in the wild.”

— Reference:  Wikipedia.org

[viii] “… The Anunnaki…”

“The Anunnaki are a group of Sumerian and Akkadian deities related to, and in some cases overlapping with, the Annuna (the ‘Fifty Great Gods’) and the Igigi (minor gods), meaning something to the effect of ‘those of royal blood’ or ‘princely offspring’ or “heaven and earth”.

The Annunaki appear in the Babylonian creation myth, Enuma Elish. In the late version magnifying Marduk, after the creation of mankind, Marduk divides the Anunnaki and assigns them to their proper stations, three hundred in heaven, three hundred on the earth. The Anunnaki were the High Council of the Gods, and Anu’s companions. They were distributed through the Earth and the Underworld.“

— Reference:  Wikipedia.org

[ix] “… flying on a “Winged-Disc”. “

“The winged sun is a symbol associated with divinity, royalty and power in the Ancient Near East (Egypt, Mesopotamia, Anatolia, and Persia). The symbol has also been found in the records of ancient cultures residing in various regions of South America as well as Australia.

In Ancient Egypt, the symbol is attested from the Old Kingdom (Sneferu, 26th century BC), often flanked on either side with a uraeus. In early Egyptian religion, the symbol Behedeti represented Horus of Edfu, later identified with Ra-Harachte. It is sometimes depicted on the neck of Apis, the bull of Ptah. As time passed (according to interpretation) all of the subordinated gods of Egypt were considered to be aspects of the sun god, including e.g. Khepri.

From roughly 2000 BC, the symbol spread to the Levant and to Mesopotamia. It appears in reliefs with Assyrian rulers and in Hieroglyphic Anatolian as a symbol for royalty, transcribed as literally, “his own self, the Sun”.  From ca. the 8th century BC, it appears on Hebrew seals, by now as a generic symbol for “power”. The symbol evolved into the Faravahar (the “visual aspect of Ahura Mazda”) in Zoroastrian Persia.”

— Reference:  Wikipedia.org

[x] “… he established a high standard of ethical, and humanitarian philosophy…”

“Up to the time of the conquest of Media by Cyrus the Great, Median emperors ruled their conquered territories as provinces, through client kings and governors. One of the keys to the Achaemenid success (as with most enduring great empires) was their open attitude to the culture and religion of the conquered people, so ironically the Persian culture was the one most affected as the Great King endeavored to melt elements from all his subjects into a new imperial style.”

— Reference:  Wikipedia.org